Wednesday, April 27, 2011
The Royal Family
This won't make any sense but there was such a big response to the last post about Prince William and his bride Kate and so I thought I would add a few random thoughts and see what happens; I see she is Catherine so is it Cate?
There are a few comments on the blog and I had quite a few e-mails; some against the royal family and some for – one quote described them as a bunch of inbred snoots descended from an oppressive lot of haughty prigs.
Well there is no arguing with where they descended from but I would guess that most of them would choose to be non-royal; can you imagine what it's like?
The thing is they are not snoots; by all accounts they are very nice – except Andrew. The younger one, Edward, defied his father and didn't go to Gordonstoun School like his brothers and he didn't join the military like them; I don't think he can fly Jet fighters or helicopters like his brothers and he married a commoner too and it seems his marriage has worked out; so far.
But by and large the people of Britain love them; mainly the working classes and the upper classes of course. I'm not sure about the middle class – the bourgeoisie – who try to ape the upper classes.
The upper classes have etiquette and good manners. The two things that I like. The middle classes are like Mrs Bucket, on TV, who call their living room their lounge, their lavatory the toilet and hold their knives, when they use a knife and fork, like a pencil.
They try to fit in with the upper classes and if ever they are invited to their homes they blow it by asking where the little boy's room is or folding their napkin or even putting the milk in their tea first; nobody in the world does this except for the British middles class.
If ever the middle class invite a rough member of the working class to their homes they run around after them putting doilies underneath their cups.
The upper classes of Britain have class; it's not acquired but taught. Prince Charles, and his mother, were trained for their role in life from a very early age which is why they can do the job when it falls into their laps.
Charles, and his aunt, Princess Margaret were very talented actors; very funny when in company and who knows what sort of a life they would have led if they hadn't been 'royal.'
In America the President has to achieve his greatness but in Britain the greatness of the royals comes with their birth and it is thrust upon them. As Shakespeare said: some are born great, some achieve greatness and some have greatness thrust upon them.
The Prime Minister who is the head of the government – not the head of state – is usually dropped into the job before he or show knows anything about it; read Tony Blair's autobiography – he wasn't invited to the wedding, by the way, and neither was Gordon Brown. Thatcher was and so was John Major but Thatcher is too sick to attend.
Before the Queen's mother, Elizabeth, who was a commoner, even though she was posh and upper class, you have to go all the way back to Henry VIII for the last commoner who married a sovereign and, you know, that didn't work out.
Of the 4 Queen's children, 3 of them had broken marriages; if Charles had followed tradition and married a fellow royal, his marriage would still be going and maybe that would have been the case for the other 3; Princess Ann married Captain Mark Phillips – divorced; Prince Andrew married Sarah Ferguson – divorced and you will know about Charles.
The reason I am interested in the Royal Family is because I am interested in history; the royal family in Britain is the most documented family I know and I find them fascinating.
My interest in the Royal Wedding is very low but the reason I believe there should be a royal family in Britain – as I have said before – is that I would not like the alternative.
The Queen is the most loved person in Britain but when the most hated woman in Britain, Margaret Thatcher, became Prime Minister it was good to know that there was someone she had to answer to.
I think Thatcher hated having to go to the palace and get her papers signed each week and hated the idea; maybe she was a republican.
There are a lot of people – some of them in the government in Britain – who are against the royal family and are actively seeking the overthrow of the monarchy; this is quite legal unless they turn to violence. I don't think that could happen in America!
After the American revolution George Washington was offered the Kingship and turned it down but it wouldn't have worked would it – because he was a commoner and like in Britain or any other country a commoner will never be on the throne; they wouldn't know what to do with it.
Friday, April 22, 2011
Are William and Kate boring? Really?

When I got back from London a few people asked me if I heard much about the royal wedding when I was there – well the answer is no. I suppose there must be a lot of talk about it in the boonies and the burbs but I didn't hear any; in fact I hear more here in the USA on the radio and TV.
If it had been Prince Harry that might have been a different story; he's a more interesting character. He's a rugby playing blokey bloke and I don't care what anybody says - he looks like his father!!!!
Of course what I mean by that is that he looks like Charles. Look at the nose – it is certainly the royal hooter. If there was any doubt about his parenthood he would have been 'disappeared' at birth – haven't you read the history of the royal family and with the use of DNA these days I'm sure he's been verified.
But the big story there is that there is a national holiday next week for the royal wedding and that goes on top of the week off for Easter. So people are leaving Britain in droves this week for vacations, holidays, trips, cruises and the like and tourists are entering Britain in equally as many droves just for the wedding.
What they will see of the wedding beyond what's on TV will be very little.
But why are America – from what we see on TV – so fascinated with the royal family?
They have the wrong idea about them in any case! A lot of people I have spoken to think that Prince Charles is some kind of sissy. I won't go any further than that but he went to Gordonstoun School – I paraphrase from Wikipedea which describes it as a school based on the traditional private school ethos, modeled on Eton and Oxford, with a philosophy inspired by Plato’s The Republic and other aspects of ancient Greek history.
This is most notable in the title "Guardian", denoting the head boy and girl, the adoption of a Greek trireme (photo above) as the school's emblem, and a routine that could be described as Spartan. There is a high emphasis on militaristic discipline and physical education, particularly outdoor activities such as seamanship and mountaineering.
The school has had a reputation for harsh conditions, with cold showers and morning runs as a matter of routine, and physical punishments, known as "penalty drill" or PD, in the form of supervised runs around one's house (dormitory) or the south lawn of Gordonstoun House.
Charles called it Colditz in Kilts!!
So there we are – enjoy the royal wedding and here he is Carlos de Gales himself – the first Prince of Wales to actually speak Welsh; does he look like a sissy to you – don't answer that!!

Wednesday, April 13, 2011
playing with Arturo Valdez.

We had a very pleasant drive from Great Finborough then the inevitable wait in the queues in the airport, the bother of the security check, the wait for the flight, the change of planes in Washington DC, the delay there and another long flight so – it was good to be back in Los Angeles.
The first thing I did the following day – we didn't get back till after midnight – was to go to El Compadre restaurant on Sunset Boulevard for some Mexican food. The waiters, as usual, were kidding me and asking if I would like some tequila but I am not an early in the day drinker any more; I used to have a lunch time drink sometimes when I lived in England but not here; I know what alcohol does to you in the sun.
After El Compadre I popped in next door to see Arturo Valdez the guitar maker also known around the world as the guitar repairman to the stars. He has worked on thousands of guitars owned by people such as John Lennon, Eric Clapton and John Denver. He also worked on one of mine.
A good friend of ours died last November and she left me her old guitar; I think the guitar, a Spanish one, is around 50 years old and the case has luggage labels from some very old airlines and ships on it.
When I tried to tune the guitar the keys crumbled in my fingers so Arturo put new keys onto it for me and changed the bridge. Now it sounds absolutely wonderful.
So I needed a new string for it and went into see him and he thanked me for a catalogue of the Eric Clapton Auction recently at Bonhams & Butterfields on Sunset I had given to him before we went away.
We got to talking and he showed me some guitars and I had a little play on a jazz guitar he had just made and then he asked me if I liked flamenco guitar playing and of course I said 'yes.'
He put the padlock on the shop door and we went into the back where he showed me a wonderful flamenco guitar which seemed to weigh less than a pound; he had made it from cedar wood.
“Sit down” he said and I sat in a chair close by his chair where he proceeded to play the guitar.
It was like sitting with Segovia; I sat there mesmerized by the dexterity of his fingering and the sound emanating from the instrument. As he played he also smacked his nails on to the body of the guitar which made it sound as if someone else was doing it; when he finished playing the first piece he handed the guitar to me!!!!
Now what was I going to do with it?
I played a few plinkety plonk chords – it was probably like Tiny Tim following Eric Clapton at the Albert Hall but I played. Not with the adeptness as he but I played for a little while.
After his next piece he handed it to me again and this time I played and sung I Will the Beatles song; it's a little high for me to sing quietly but I got away with it.
Each time he took the guitar back he played even better; one of the pieces was classical and when he handed it back to me again I played and sang Crossroads Blues; it's only 3 chords and I can sing it quite well.
He was impressed with my voice and mentioned it to me when I saw him again.
So it was good to be back in Los Angeles – as I walked away I wondered if I could ever grow my finger nails that long let alone even play half as good as he plays.
I couldn't get a picture of Arturo but he is on the internet at http://www.namm.org/library/oral-history/arturo-valdez being interviewed and he plays too!!
Thursday, April 7, 2011
Cameron and Clegg - the 2 C words.
There are lots of free hot spots here for wi-fi but when you log on you can't get any service and the ones that are there too cost something like £11 per month to get on.
One thing about £ signs and $ signs: there are dollar signs on all keyboards in the UK and no pound signs on the keyboards in the USA; why not?
So I am sitting in the middle of the waiting area surrounded by workers from Pret a Manger which is some kind sandwich retail chain of the UK.
One of the workers told one of his girl work mates “I got a BMW now.”
“Have you?” she says “bring me a photo tomorrow and you can take me out for a zoom!”
“Not working tomorrow” he says “It's my day off!”
“Well you had it then incha?” she replied.
Then he says “what's that white haired bloke doing there? Taking down everything we say?”
“Which white haired bloke? This one?” and she pointed at me.
“Yes” he says “what's he saying now?”
“What's he saying now.”
“What is it?”
“What?”
“What he's saying.”
“What's he saying?”
“What's he saying now.”
“That's what he's saying” she says.
“What?” he says.
“What's he saying now.”
I'd better get up and go type somewhere else.
I've got to know a few quirky characters here in the news – one of them being the deputy Prime Minister; a man called Clegg; he went to a very privileged school called Eton where the very rich people of the world send their kids – rich Americans, Africa leaders and the Neauvo Riche but not the sons of the royal family I hasten to add - until Diana came on board.
After he left Eton, Clegg's dad managed to pull a few strings and get him a job in a merchant bank – well an internship which to a millionaire's son is the same thing. The Prime Minister, Cameron, was also at Eton and he got his first job at Conservative Central Office.
The day before Cameron's interview somebody from Buckingham Palace called Conservative Central Office and told them that Davie (Boy) Cameron was a good egg and that they should give him the job.
The pair of them – the two C words (Clegg and Cameron) - have very annoying vowel sounds. They don't have an upper class accent like Prince Charles or RP (received English) like, shall we say Laurence Olivier or Alec Guinness or even Christopher Lee, they have terrible grating whiny and nasal kinds of voices like blunt pieces of chalk being scraped across blackboards and you have to throw cushions and pillows at the screen every time they come on television.
It has been a shot in the arm for the British economy with many television sets being smashed by people who didn't have something soft to throw at the screen when they came on, and smashed their sets by throwing furniture at them.
It seems Mister Clegg wants to pull the ladder up behind him – if you know what that expression means. He wants the old boy network to stop; he wants some kind of legislation or employment guidelines to stop the privileged few from getting a gee up from their influential mummys and daddys; or even their nepotistic Uncles.
He spent the day yesterday (Tuesday or even the day before yesterday as I notice it Thursday here) answering questions to the news media and talk shows and being pummelled by even the light weight pundits – of course his hoppo, Davie Boy, the other C word, is in Pakistan at the moment and will probably make as big an arsehole of himself as he did the last time he visited the sub-continent.
He was last seen in a punkawallah's hut looking for a dictionary so he could spell the word legacy for his memoirs.
I am now on the plane heading for Washington DC.
Maybe I'll write from there or just post this as it is -
In DC now – the same as any other airport on earth – or the planet, as people say these days which I hate – I hate some things, don't cha know!
The post of Deputy Prime Minister didn't really exist till Tony Blair gave the job to John Prescott to throw a gesture to the left. John Prescott came through the union ranks and was active in the Seaman's Union and was part of the old Labour Party; the party of Harold Wilson, Clement Atlee, Bevin, Bevan and Tony Benn!!!
That's one of the reasons Thatcher was voted in 3 times, even though more people voted against her than voted for her; as Kenny Everett used to say:
You will vote for her again
cos you won't vote for Tony Benn.
Another reason why she was voted in 3 times was because the 80s in the UK was a very greedy decade – Give me the money was a famous phrase from Harry Enfield.
But back to John Prescott; there used to be a famous fighter in the 60s or so in Britain called Johnny Prescott; no relation to the former Deputy Prime Minister, who kind of harked back to Johnny, the no relation pugilist, on one occasion; on the hustings, during one of the election campaigns, a member of the public threw an egg at Mister Prescott's face; Mister Prescott, with a right cross, chinned him and sent him sprawling into the crowd. It was headlined in all the newspapers, TV news and Tony Blair called him and asked him to apologise; he refused! He said he would sooner resign than apologise and Blair had to accept that – it is also thought that it won him a few votes.
What would it take for one of the C Words to throw a punch? Maybe they'd have you hauled away by one of their subalterns first!!
Thursday, March 31, 2011
On a train in England

I am due to do my play The 2 Sides of Eddie Ramone in Edinburgh for 3 weeks in August and whilst in London I went to a small pub theatre to have a look at the space as they offered me a slot there for July 23rd to try it out before going to Scotland.
At the moment the train has stopped at the station in Stratford; now this isn't the Stratford in Stratford-upon-Avon where the Royal Shakespeare Company hang out but the Stratford in east London made famous many years ago by Joan Littlewood and her theatre group in Gerry Raffles Square – I believe Gerry Raffles was her partner in the venture and they produced plays by Brendan Behan, Lionel Bart and many others and some great actors. At the moment Stratford seems to be famous for the upcoming Olympic Games and I can see the buildings ready for the games as I look through the window I can see plenty of work and a wonderful round of delights to come next year.
I will be trying my play out first of all in Santa Monica as they offered me 3 nights there in June – so by the time I get to Edinburgh I should know it – I hope.
Yesterday I met the guy who runs the Edinburgh venue and he offered me a nice spot for a bigger poster – I hope that wasn't the lager talking so I sent him an e-mail this morning telling him that I would be taking him up on the offer.
We were in a pub in Great Russell Street, in Covent Garden, very near the Royal Opera House which is truly a beautiful white building and newly refurbished; I don't know if they still get funded by the Lottery Fund but it's well worth it; unfortunately it costs a fortune to get in way much more than regular theatre seats in the West End.
This means, of course, that the man in the street can very rarely afford to go there. Now you might say that the man in the street isn't interested in opera well I have to tell you that this man in the street loves it. I worked with a couple of opera companies many years ago; not as a singer, I hasten to add, but as a technician.
With the D'Oyly Carte company I did the sound; they specialised in Gilbert and Sullivan operas which is not grand opera as there is spoken dialogue. I didn't have to pick them up with a microphone or anything like that as their magnificent voices would carry over the sound of the orchestra and into the auditorium.
I had to play the announcements, which were pre-recorded – you know 'ladies and gentlemen would you kindly take your seats as the performance if about to commence.'
Usually the person who did the lighting on the grand master very sophisticated lighting board would do the sound which only be used for effects and music but with the opera companies and ballet troops the lighting cues were many fold so they needed another person to do the sound.
Now we are stopped at Colchester; it is the oldest recorded town in England and is also famous for a military nick; that's the place the army send you if you’ve been sentenced after a court marshal. It's not only a military prison as they have soldiers there too. I can't remember what regiment is there – maybe an Essex regiment. I was there years ago when I was in the Army Cadets and remember seeing a prisoner or two being marched around the parade ground by a sergeant on the double and the prisoner didn't have any laces in his boots.
We were only cadets and very young too; I looked younger than most and one of the regulars turned around to me and said “Oye! When did you leave off your nappy?”
I didn't say a word back, of course, but my mates decided it was a good excuse for a fight so we went outside and had a scrap; can't even remember if we won.
So back to the D'Oyly Carte Opera Company; as I sat in the control box there were a few tape recorders at the back which I would use for the announcements and when the company manager from the opera company came in all he saw was tape and immediately thought I was going to record and pirate the opera. Nothing could have been further from the truth because even though I loved the opera we had The Beatles White Album in the control room – nuff said??
But I worked with the Sadlers Welles Opera Company too on Grand Opera and that was really exciting and gave me a lifetime of pleasure.
The opera singers with their wonderful voices didn't always sound like that – most of them were Italian, of course, but I remember one singer who had a wonderful bass voice; I was backstage this time and had to knock very loudly and angrily on a door. It had to be a really hard knock and I had to use a hammer. The singer, with the bass voice, didn't speak with a bass voice when talking and he had quite a thick London accent.
“Give it a good bang there son – a really good old smack!”
I wondered who this was and turned quickly to see the aforementioned bass singer.
“Nice one, son” he said, walked on and came out with his wonderful voice.
So now we are nearing Ipswich and I thought I would be posting this on the train as it said there was free wi-fi; I looked on there and, in fact, it does say it's free but in order to use it free of charge you have to pay £2.95. Now what's free about that?
Thursday, March 24, 2011
Being Irish and liking The Beatles
The Welsh, Irish and Scots are basically Celts although there will be somebody to argue with that and say that the Celts are in the Baltic states or the Caucuses or some other wild place. The Celts are supposed to be wild and – I suppose I would have to agree with some of that as I've seen some really wild buggers on the west coast of Ireland and in Scotland. I don't think I've seen much wildness in Wales and there is another part of the British Isles that are supposed to be Celtic and that's Cornwall.
Up to the age of 5 I led as sheltered a life as any preschool child and spoke with the accent of my parents. We were an Irish family living in England but I only met Irish people; my parents' friends were Irish, their children were Irish and our grandparents were Irish and we all spoke with Irish accents; what else?
Then when I went to school I suddenly found that the kids and the teachers spoke differently; what was that strange way of speaking? They had English accents and I had an Irish one. So started my life of mimicry, I suppose, as I didn't want to stick out as being different.
I spoke with an English accent at school and an Irish accent at home; when I went to Ireland, which we did 3 times a year, they would call me English; that was my nickname. When I played football in the streets the other players would shout at me to pass the ball “Over here English!” they would say.
I would shout back “I'm not English, I'm Irish!”
Then I would return to England and school with an Irish accent again and when we played football and they wanted the ball off me they would shout “Over here Irish!” and I would shout back “I'm not Irish – I'm English!”
Can you blame me for growing up confused?
After a while what I was didn't matter; I got on with life till I was asked what I was and I had to say – Irish.
It's in us we're Celts.
In the 1960s my cousin loved The Dubliners and I loved The Beatles. I don't know if he'd ever seen The Beatles, and I'm sure I'd never seen The Dubliners, but we went our separate ways loving our Beatles and our Dubliners.
Even though I felt Irish, when the chips were down, and I had been thrown out of one or two pubs for rowdy behaviour – sometimes with my dad – I suppose I felt English till I actually discovered The Dubliners just like my cousin Eamon; they were magnificent.
I bought as many of their records as I could and that led me on to buying a lot of other Irish stuff.
I saw The Dubliners at the Barbican in London and people of all ages were actually dancing in the aisles. The rhythm was so infectious and tribal that I couldn't help but get out of my seat and kind of 'move' – it wasn't dancing but the whole of my body felt stimulated by this bunch of bearded big bellied middle aged men.
So I think the big thing about identity and knowing who you are owes a lot to the cultures of where you are from - namely the music.
I went from there to learning a lot of Irish music so I could sing it and accompany myself on my guitar and banjo; I was never a singer but I learned to sing and eventually made a CD – A Bit of Irish which is 16 Irish favourites but I had to lie about them being favourites as one of the songs was The Wild Colonial Boy, which I think is Australian and another one The Coombe I wrote myself.

Tuesday, March 22, 2011
Board of Equalization, Baby Boomers and Keith Richards
Saturday, March 19, 2011
Jameson's Whiskey from Rock and Roll Ralphs and more.

Sorry to have been away for so long; I had a chest infection last week and it put me back a lot on my recording. So this week I have been almost exclusively making sure the chapters in my audio book are the right length for the CDs etc and now I have finished it.
The title – Who Was Gertie Ford? - will be available on Audible.com soon.
Sometimes when I am driving around Los Angeles I realise that there are things that happen here which don't appear to happen anywhere else.
In Britain at Christmas time the shops are full of things needed for Christmas; things you can buy for presents, food, turkeys, booze, clothes CDs etc – all at top price. Then on Boxing Day the sales start; here the sales start before Christmas so people can buy those bargains and in the long run the shops make loads of money and people get their presents before Christmas.
On Thursday it was St Patrick's Day; the local supermarket, Rock and Roll Ralphs, reduced the price of Jameson's Whiskey from $27 to $15; I bought two. In the UK they increase the price because when they think there's going to be a run on something.
I have been to Cannes a few times and the bars and restaurants would increase the cost of beer and wine for the rush at the festivals but places like Ralphs, and other stores over here, make a load of money and make everybody happy; especially the droves of people walking up to the check outs clutching their bottles of usquebaugh.
Last week I was taking my wife up to Ventura in our old Volvo Station Wagon when it blew up – gone!! The engine is now kaput and never to be driven again.
I had barely looked into my wallet to call the breakdown service when I saw in my mirror the So-Cal metro free breakdown service. I told the fella what had happened and he said they would come and tow me off the freeway within half an hour. If I'd run out of petrol they would have replenished my tank for free or even changed a wheel if I'd had a puncture – all free; California.
The breakdown truck arrived and dropped us at Denny's where we had a grand slam – 2 eggs, 2 sausages, 2 slices of bacon and 2 pancakes all washed down with coffee; $6.99.
When people visit me here they kind of stare gobsmacked in the street when they see a bus; nothing strange about the bus but they have bikes on the front on a special bike rack at the front for the passengers; they also have great room for wheelchairs.
You can just about make out the bike rack, above; I couldn't find a picture with actual bikes on them.
People put their bikes on the rack themselves and get out near a bike trail or even anywhere they want to ride their bike.
Yesterday in the San Fernando Valley I was stopped at the traffic lights when a light next to the traffic light started flashing – it said 'bus.' Then a bus came across unhindered as if it was a train.
So there are lots of things here in Los Angeles – including the weather – which add to the quality of life.
Of course there are a lot of silly people here who rush out and buy potassium iodide pills to try to prevent the radiation from Japan giving them thyroid cancer; it can protect against thyroid cancer, but not any other organ, and the people who need it are in Japan not California and because there has been a run on the pills here in the good old US of A the people in Japan, who need the pills, can't get them.
So it's not all sweetness and light – and last night, would you believe it rained!!!
Tuesday, March 8, 2011
Mardi Gras in Los Angeles.
Today is Mardi Gras – or to be translated from the French, Fat Tuesday or Shrove Tuesday in the UK; Pancake Day.
Most people there will cook and eat crepes with sugar and lemon juice or they'll have savory pancakes with various fillings.
They will toss those pancakes – it's part of the tradition – and I guess some of them will stick to ceilings.
It all comes from religion, of course, with shrove meaning, as a verb, to impose penance upon a sinner and also has something to do with the word shrive and all the other connotations so I prefer Fat Tuesday.
As with most of the religious traditions in Britain, Christmas, Easter and Whitsun, the religious side gets forgotten about and it is now secular tradition.
Today they will have the mardi-gras in New Orleans which is an excuse to celebrate; people will dress up in costumes and dance in the street.
On Saturday we went to the Gumbo Pot at The Farmer's Market on 3rd and Fairfax here in Los Angeles – a place I have written about before on here.
Near the Gumbo Pot a band played a kind of New Orleans type of rock and roll; they had a pianist/singer, drums, bass, a trumpet and two saxophones and they sounded great.
When they played their first song an older man with beads around his neck and white hair (not me) got up and started to dance with a woman who was sitting near by; I don't know if they knew each other or not but they didn't mind as they were enjoying themselves and everybody was looking at them.
I must admit I had thoughts about granddad or an embarrassing uncle dancing at a wedding but they loved it and the crowd were loving it so who cares.
The next piece of music was a little more up tempo and standing near by was another fella with very long hair and a very curly pony tail and he was listening to the music and tapping his feet as he listened; then his feet started to move to a little more than tapping and he was snapping his fingers too.
Then he moved to the dance floor where the music seemed to catch hold of his body; I couldn't help think of the bear in The Jungle Book and I almost expected him to say the same line “I'm gone man – solid gone!”
He was swinging his hips, shaking his shoulders and generally rattling his bones as the music moved along.
Hovering on the side of the floor was a fairly tall woman using a walking frame; she had nice teeth and a lovely smile and was quite attractive and might have been around 70 years of age as was the pony tailed guy swinging his hips and taking the floor; he beckoned the woman with the walker and she shook her head; again I don't know if they knew each other but she kind of didn't really mean no so she left her walker on the edge of the improvised dance floor and joined the shaker on the floor like Lazarus getting up for Jesus.
He looked after her and guided her as she was, indeed, without the walking frame; it didn't stop him shaking his hips and dancing but she could only manage one dance.
Didn't stop him though – he was still dancing when we left.
Wednesday, March 2, 2011
Best director at the Academy Awards!!
Well the Academy Awards have been and gone for another year and the winners and losers are have gone on to pastures new and revisited. The winners can report to their agents, publicists and their staff and say that they did indeed thank them from the podium and bored the arses off the rest of us!
No matter how the Academy try and stop they always come out with a list of people to thank – wouldn't be so bad if they just thanked their spouses but to thank people they actually pay!!!!
It's strange that the best speeches were from non-actors and in particular the writers; namely the fella who wrote the script for The King's Speech, David Seidler, and Aaron Sorkin, the writer of The Social Network.
Incidentally it was good to see the former win at the age of 73 – kind of knocks ageism on the head – but not really; one swallow doesn't make a summer.
By the way the publicity has him as a British writer but he sounded American to me!
The best picture went to The King's Speech and it also got the best director – as you will know.
Some years the awards have been split and people have suggested to me – in a bar, over coffee; nowhere important – that if a picture wins the director should win too.
How does that leave the 5 extra movies that are now nominated for best picture – 10 in all now – when they only nominate 5 directors?
Personally I thought the best director this year was Christopher Nolan for Inception – but how do I know that? How could I even have an opinion? I wasn't there and didn't see any of the work.
There are 3 big bosses on a movie but the director oversees the lot: the editor, the director of photography (the DP) and the directors themselves.
The director's main job is to direct the actors and lots of directors just don't know how to talk to actors to get the best performance from them; so they hire actors who direct themselves and in films and television that's most of the time.
These directors are more concerned with the lenses, the shots and how the film looks but – even though this is commendable – isn't that really the job of the DP?
How does a director advise an actor to play an excruciating, difficult emotional scene if they don't know themselves or don't know what to say to them to give them a clue. It's no good saying 'you have to cry here' or 'here you are angry;' an actor needs to know the reason.
There is one form of direction and lots of directors use which is 'faster' or 'slower' or even 'give it more energy.'
I did some work with student directors at The Royal College of Art film school in London and when asked how they would direct a very difficult and emotional scene for an actor, one of the replies was 'I'll start off with a tracking shot and move into a close up.'
Great direction?
So how did the director of The King's Speech win as best director? Because the performances were good? If so – what about Churchill? Or the fella who played Churchill – a fine actor but totally miscast; what did the best director do about that?
Don't get me wrong, I loved The King's Speech and mentioned it in this blog in November - Bugger Bogner - the Oscar goes to . . . http://dlvr.it/9Ht9B – but when I saw it I couldn't help but wonder about the composure of some of the shots.
I have noticed the same kind of shots in some of the stuff that comes out of Britain particularly in one of my favourite shows MI5.
A close up in a movie – or a single shot – should not have the subject in the middle of the frame; the subject should be slightly to one side or the other. Documentary film makers usually put them in the middle when photographing talking heads.
The middle is the weakest part of the screen.
So the character you are shooting should be on one side or the other – like this photo of me I edited from the imdB.
You see I am slightly over and looking across to whoever I am talking to; when the other person speaks they face the other way and are on the other side of the screen; this way you don't cross the line (I won't go into what that is now but if you are interested there are other places). It also looks comfortable and dynamic.
But in The King's Speech, and the things I have seen coming out of the UK they do this:
They have the characters talking to the side of the screen with a space at the back of the head. My picture might not be a great example but I'm sure somebody out there knows what I'm talking about!!!!
It makes it difficult to know where the other person in the scene is!
My question is this: if this was the only clue to his direction, apart from the aforementioned performances, why was the director of The King's Speech the winner on Sunday?