Jimmy M and The Descendants.

George Clooney.

I'm going to have a little go at my friend Jim today. He writes a terrific blog about the movie business which is linked on this page to the right there and it's one of the top 50 movie blogs – can you see it there to the right of George Clooney's picture Jim Makichuk's Film Project? – give it a try.
I'm sure that he will post an answer to this; he said in one of his posts on the blog '. . . The Descendants is a Hallmark TV movie, a nice movie, even admirable, but not a feature movie, more like a TV movie. Only difference is a few curse words.'
For the sake of people who don't live in America, the phrase Hallmark TV movie refers to the Hallmark Movie Channel, sister to the Hallmark Channel, which shows family friendly movies. It is owned by the same people who own Hallmark Cards who are headquartered in Kansas City Missouri.
Not the kind of channel that would show The Sopranos, The Wire or The Singing Detective or the kind of channel that would interest me.
Family friendly movies? That's not The Descendants – if The Descendants could be compared to anything it might be to an Anton Chekhov play.
The Descendants has a multilayered script admirably performed by an excellent cast and both the script and George Clooney, who plays the leading role, deserve Oscars. They probably won't get them as Clooney already has an Oscar and – well you never know – Alexander Payne and his co-writers might get it for adapted screenplay.
But I know what Jim means; I remember seeing a movie called City Hall which was directed by Harold Becker and starred Al Pacino. Pacino played the Mayor of New York City and it was about the accidental shooting of a boy and the investigation into it thereafter. I remember sitting and watching it, thinking that I could have sat at home and watched episodes of Law and Order as it was a run of the mill cop script.
The thing about The Descendants is that it is too complicated for television; it's something you have to sit down in the dark with strangers to watch; not have it pumped out of the TV with all the distractions of your living room.
Clooney gives a terrific nuanced performance; he has been criticised by “Mister Anonymous” in the blogesphere and by people who don't understand what acting is all about. One of them said that when he was given a particular piece of bad news in the movie he did nothing. Nothing?? What did they expect him to do; if you looked at his face you could see what was going on internally.
You see he can never get passed the fact that he is a movie star and good looking and people who don't know seem to think that those things don't go together.
Years ago when he was in ER I thought he was awful; he would play every scene with his head down and look up at people but something happened when he went into movies. He met directors who told him things, gave him direction and not only did he learn from that as an actor he learned to direct too.
He directed some really good movies: Confessions of a Dangerous Mind, Good Night and Good Luck, Leatherheads and The Ides of March – okay we'll sweep over Leatherheads but the others are good. He has also produced some 27 titles so he is an asset to the film business.
The Descendants will not appeal to people who prefer blockbusters or movies with special effects and computer-generated images but there is certainly room for it in the scheme of things; we can't give in totally to the 15 year olds.
As a footnote: I mentioned Harold Becker earlier as the director of City Hall. Well I was in his first full length feature film The Ragman's Daughter.
A couple of years ago, in Los Angeles, my wife went to a yard sale at a large house in the Hollywood Hills – where we lived. The house was, maybe, half a mile from us, and when she got there she saw a poster for The Ragman's Daughter and said “My husband was in that” and woman of the house said “My husband directed it.”
They were moving and all their stuff was in the front yard for sale.
The woman told my wife to tell me to come up to the house which I did.
When I got there, the poster was still in the yard and Harold Becker came out to see me.
The last time I had seen him was in 1971 but he looked kind of familiar and when we shook hands he said 'a familiar face.'
We'd been living close by for all those years. He knew what people who were in The Ragman's Daughter were doing which I thought was impressive and I see that at the age of 83 he is to direct another movie – certainly built of the right stuff.
By the way I didn't buy the poster.

Harold Becker.

The Pilot Season

Here we are on another January morning in Hollywood; Los Angeles, really, but Hollywood when we talk of the film business as that is what the industry is here.

Januarys have usually been around the start of the pilot season when mothers bring their kids here to try and get a job in a TV series; try and get a job in a pilot which they hope would be a TV Series more like.

Most of the pilots the kids would be aiming for would be situation comedies – sitcoms – as there were very few children needed in the cops shows or hospital shows.

Between where I live and the Valley proper, there are apartment buildings which used to temporarily rent apartments to the mothers and their, usually, precocious little brats.

I've worked with few children in my time and most of the time they have been well behaved – not so much their mums – but we had to watch our language and watch when their little kids would do a tap dance on the set.

If the kids were well known they seemed to have a certain confidence – and maybe precociousness – and they would give opinions about things and people would listen to them; this would give me the cue to go to my dressing room. Don't get me wrong, I love kids – I used to go to school with them – but I always hated kids in the cast.

But back to the pilot season; well it doesn't seem to exist any more; they (the royal they whoever they are) make pilots all the year round. They make hundreds of them if not thousands. I have seen many; I saw one about a gay robot butler, one about cavemen and one with Tom Conti playing a drunken grandfather who pals up and takes his grandchildren to night clubs.

These pilots cost a fortune and George Clooney appeared in so many, before he made ER, that he became quite rich. They would pay – and I stand to be corrected – about $40,000 for the pilot not even knowing if the pilot would be picked up.

When you go for an audition for the pilot you get the sides (the pages they will want you to read for the audition) 24 hours before the audition. This is a great SAG (Screen Actors Guild) rule which doesn't happen in the UK which enable the producers to cast the best actors in their projects; they are after talent and not the best readers.

After the audition with the casting director, the casting director recommends a short(er) list to come in the for 'call back'. This may still be a 'pre-read' and if you get through that you will be asked to come and audition for the director or one of the producers.

This can happen numerous times till you get to meet the executive producers, their wives and other hangers on.

Before you meet the executive producers, their wives and other hangers on, and you may be down to half a dozen people for each role for the show, your agent will be called and they will do the deal – there and then before the final audition – and you will be told (maybe after negotiation but I doubt it) what the terms of the contract will be.

You will see the increments over the next few years of the show – how much you will get per show, what the residuals are (which will be standard), how much you get if the show goes into syndication and a lot of other imponderables and terms.

The contract will blind you with figures and will be worth many hundreds of thousands of dollars and sometimes will go into millions. You may be offered maybe $40,000 per episode and projected to shoot 13 or 26 episodes per series and then get an increase in the second season and so on – and you haven't had the final audition yet!!!!

This final audition may go into another call back but eventually a pilot will be shot.

When the pilot is shot the producers will show it to the studio executives who will pick it apart and maybe re-cast some of the roles and they will re-shoot those roles and then when they are finished again they will take it to a market research company and focus groups will gather around Los Angeles and watch them; some if these people will be paid.

They will gather in theatres, offices and small screening rooms; sometimes the executives will watch the audiences through a one way mirror to see how they react and the audiences/focus groups will be made up of a sample of the population – some black, some white, some Latino, blue collar, white collar and all the other ethnic and sexual persuasion that it's a wonder anything comes out of it.

The one group of people that they never want in the group would be actors; in a company town it is very hard to throw a stick any day of the week without hitting an actor; I don't even have any idea how many actors live in this building so sometimes they go 'out of town.'

After this they may re-cast and re-shoot yet again because a character may be disliked or an actor may be disliked or even be the wrong colour or race.

So after all this they eventually have a show; then they show it to some critics and they let us all know which ones are going to be hits; the one they said would be a hit this last season was one called Lone Star.

Every critic loved it and it was going to be a big hit – the hit of the season and everybody who had anything to do with it was delighted and optimistic; it was cancelled after just two episodes.

Here's what Fox said about the cancellation:

While speaking at today’s Fox Winter TCA tour in Pasadena, CA, Fox Entertainment Chairman Peter Rice spoke about why he felt their Fall series LONE STAR failed after only two episodes.

“We made a show we really loved, and thought the creators were very talented and made an excellent show,” says Rice. “ [The critics] believed in the show and liked the show, but not enough people showed up to watch it. We were very disappointed in that. It’s the reality of the business we’re in. It’s intensely competitive and you make the best shows you can. The truth is, it failed to meet the expectations we had. That doesn’t mean we don’t like the show and respect the people who made it. I would much prefer to fail with a show we’re creatively proud of than fail with a show that we’re embarrassed by.”

What is not mentioned above is that it was put on opposite the American version of the BBC Show Dancing with the Stars produced by the BBC over here – now isn't that a dumb decision? It was buried and I have to confess I don't know why they buried it there; so the advertisers who bought space on the opening night were not satisfied with the amount of people who watched the show; by the time the second episode was shown the writing was on the wall and Fox pulled the show.

So after all that work, the auditions, the call backs, the contract talks, the rehearsals and the rest of it the show is history.

These people are professionals and they know what they are doing but there was no way an excellent show could be saved.

Let me put my oar in here and as usual I will say I am not an expert on anything – the advertisers are always looking for a specific age group to aim their advertising at; 18 to about 40 – maybe even younger – and I have to ask why?

People with the most money to spare are the senior members of society and they are usually over 40 and watch mature shows and things like Dancing with the Stars so why don't they aim more shows at them?

I only watch Jeopardy so I'm out of it!!

By the way Skins, the hit TV Show from the UK about teenagers, has just opened on MTV here and already some advertisers who bought time in the first episode have cancelled; one of them General Motors.

The Academy Awards

Well there's the view (above) from our apartment of Runyon Canyon; you can see what the weather is like here and it's the same ten minutes walk away to the Kodak Theatre in Hollywood where today they are holding the Academy Awards.

So the whole world can see what the weather is like here – our kids in England can see as they bask in the cold there.

At the moment the red carpet is on wall to wall television and each star is being interviewed by all the TV stations. As I sit here typing this at 5.22 pm I can hear the multitude of helicopters hovering above sending pictures out to the rest of the world.

Elsewhere in Hollywood streets are blocked off as thousands of limos – some stretch and some not – are welcomed to the show; a lot of them are arriving in SUVs and to try and negotiate the streets just to get home is a pain; but I can stand it as it's only once a year.

The limos have been 'on the road' for many hours as they have to be guided to Hollywood and each has to arrive at a certain time. Then they go through a security system but before he went through the system George Clooney jumped out of his limo and walked along Hollywood to meet the fans and I'm sure they were delighted. He didn't just give them a quick hello he really stayed. There was so much fencing between him and the fans it reminded me of when I was in Belfast 35 years ago.

I've only known one person who actually went to the awards in a limo and she had to start out at 11.00 am and wait in the limo line on Beverly Boulevard; in the limo they had drinks and snacks.

The other person I knew who went was Julian Fellowes who won the Academy Award for writing Gosford Park and he told me he was surprised when he won as he thought the winners were, somehow, informed.

There are only two people who actually know the results at the moment and if it ever leaked out everybody would know where the information came from.

This is the one big event in America that the rest of the world take notice of; the super bowl, the basket ball play games, the so called World Series, The Golden Globes or whatever you can think of mean nothing to the rest of the world but the occasion today does.

On Thursday night The Roosevelt Hotel held a roof top party and today we have a notice on the front door of our building to tell us where we can complain about the noise – which I didn't hear by the way – and it seems to me that the people who would complain would be those who didn't get an invitation.

It's the same with movie shoots; there is a campaign to try and bring movies and TV productions back to Hollywood as over the last few years run away production has taken them off to far away places with strange sounding names – like New Mexico which gives a really good tax incentive.

But can you blame them shooting movies elsewhere when people complain here if you shoot in their street – just like the people complaining about the noise from The Roosevelt Hotel and the fact that for one week in their miserable lives they have to make a few detours around the streets.

Anyway on with the Academy Awards which start at 5.30 – I have my Guinness ready and the oven is cooking dinner timed to be ready for when the awards end.