Esther Sullivan
(Essie of the Alex; my mother)
I have had a
few people ask me what my mother did at the Alex; the Alexandra
Theatre, Birmingham, which I wrote recently about concerning Marlene
Dietrich's appearance there in 1973.
Well she made
the tea and bacon and eggs for the stars and backstage workers. She
asked them all for autographs and her collection of autographs must
have been worth a small fortune when the boss of the 'Alex' asked her
for it, which she freely gave; where is it now, I wonder?
But I have no
idea how she came to work there (but I'll guess, later on) – and we
all worked there at one time or another; the family, I mean.
When we
were growing up, she was a company director at a firm in Birmingham
called The Lawden
Manufacturing Company
in the city centre. She would arrive home in the evenings at around
7:30 – 8:00 and tell my dad about her whole day. He would hear
about the ups and downs at the board meetings, the welfare of the
staff and employees, the office politics and a lot of gossip.
I would sit
there listening to this too and I would love it. I knew what Tom
Pierce was like at work when we went around and met his family, I
knew a lot about the managing director, Mr W.W. Kirk and knew he
liked a drop of whisky.
When he would come
to our house, with his wife, for dinner the whisky
bottle would take quite a beating.
He was a
dynamic little Scotsman with the gift of the gab; he was brought to
my mind when I first heard the J.M. Barrie phrase 'There
are few more impressive sights than a Scotsman on the make,'
as he certainly was on the make. He had a great knack for publicity
and we were quite used to seeing him, and our mother, in the
newspapers.
One time
a whole supplement was devoted to the Lawden
Manufacturing Company in
the local paper and she was heavily featured.
Another time,
when I was 16, a photographer came to the house and took photographs
of the whole family.
And why did
they profile us?
Because my
mother was a company director and she was a woman!!!
Unheard of in those days.
Unheard of in those days.
Who would look
after us?
Who would do
the cooking and cleaning?
My dad didn't
really like being photographed as he knew the men at work would take
the piss and jeer that he was doing housework; he was right. Many a
time when I went in to work (at the post office) people in their
offices would ask me if I'd done the washing up – but that was
then; this is now.
It never
occurred to me in those days that you shouldn't drink and drive and
many a night Bill Kirk would drive home from our house in his posh
Jaguar with a good few drams inside him; but he got away with it and
survived; I presume.
Barely a week
went by without him being interviewed on TV about this that and the
other and, many years later, when I was working at a TV station in
Birmingham I saw him waiting to go on to be interviewed.
There he was;
all five feet six of him strutting about like a Scottish James Cagney
spouting controversial sound bites which would get picked up by other
news sources.
One day
he was discussing 'prisoner's rights' and he was complaining that
they had too many already and used the phrase 'they get a bunk
up at the weekend.'
People sitting
around the studio burst into laughter and the next day the phrase was
headlines in the newspapers.
Bunk up, by
the way, was – sexual intercourse; still is!
It all ended
when my mother came home one day and told us she'd resigned. Kirk
kind of kept in touch but not much.
I saw him at
the railway station in Wolverhampton when I was a drama student and
he invited me into the first class compartment. I didn't really want
to go in there but he assured me all would be okay and we sat and
discussed my mother; he was surrounded by a lot of other men in
suits on their way to London.
I think one
day a friend of a friend of my mother's asked her if she could help
out at the Alex; she (the f of f) had a job backstage making tea and
snacks and she wanted my mother to relieve her for a week or two and
this is what she did – but I have no idea how she became a
permanent fixture there. The little canteen was about nine feet by
about twelve with a hole in the wall which was the counter.
She wasn't a
great cook at home but she could sure do bacon and eggs so I got used
to seeing the most unlikely of people sitting down on one of the
stools, eating this from the shelf (which is about all it was) which
surrounded the room.
People like
Laurence Olivier, Richard Todd, Margaret Lockwood, Leslie Phillips –
all these people well known in Britain at the time - and when they
did a pantomime I saw Des O'Conner and a host of other so called
stars.
To
Essie, thanks for the bacon and eggs
read most of the dedications on the signed autographs.
When touring
in a play at various theatres and venues, stars would come up to me
and wonder where they had met me and I would tell them.
My mother was
mentioned in the artistic director's autobiography – she was
referred to as Essie of the Alex; I had a copy once which was
by Derek Salberg.
My brother
eventually went to work there part time as a backstage electrician –
moving the lights etc. That's where he met his wife who was the stage
manager.
I did the
electrics too, for a time, when I was at drama school and I also did
the sound a few times. My dad would help my mother and burnt the
toast one night and the whole audience could smell it; I would also
help her once in a while with the dishes.
Sometimes we
would do 'get ins' and/or 'get outs' – I hated those but they were
well paid; it involved clearing all the scenery from a touring
production, flats, scenery, props and costumes, etc, from the theatre
before the next tour came in.
We worked for
the world famous Sadlers Welles Opera, London Festival
Ballet and the Gilbert & Sullivan Company, D'oyle Carte.
Even now if I
hear snatches from their operas or The Sleeping Beauty ballet
I remember the times we had cues.
Derek Salberg
was a cricket enthusiast and would cast his plays depending on how
good a cricketer you were; but he never cast me – I was Essie's
son.